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Art and antiquities (4900 Subjects)

The Temple of Rome and Augustus in Pula, Croatia.

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Temple of Apollo at ancient Corinth: Plan of the temple (disoriented drawing), the colonnade of the opisthodomos, and view of the capital of the column.

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Gate of Athena Archegetis (mod. Pazaroporta), Athens: Elevation of the monument. Elevation of the capitals and the entablature.

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Doric monuments of Rome: 1. and 2. Column and capital of column from the peristyle of Saint Peter's Basilica. 3. and 4. Column, capital and entablature of the theater of Marcellus.

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Plans of the Temple of Rome and Augustus in Pula, Croatia. Elevation of the front.

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Temple of Rome and Augustus in Pula, Croatia: 1. Longitudinal elevation. 2. Crypidoma, stylobate and base of the column. 3. Elevation of capital and entablature. 4. Bottom view of column and details of the ceiling.

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1. - 4. Hadrian's Library, Athens: plan of the west side of the monument. Elevation of the west side. Elevation of entablature. Bottom view and details of the ceiling. 5. Plan of the site of the Temple of Olympian Zeus, Athens.

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Plan of the Temple of Olympian Zeus, Athens. Elevation of the base of the columns.

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Arch of Hadrian, Athens: 1. Bottom view of the south pylon. 2. Bottom view of the north columns of the lower level. 3. Elevation of the west side of the Arch. 4. - 5. Elevation of part of the entablature of the lower and upper levels.

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1. - 6. Elevations of ancient temples. 7. - 10. Horologion of Andronikos Kyrristos (Tower of the Winds), Athens: Plan of the ceiling. Elevation, section plan and plan of the monument. 11. - 12. Elevation and section plan of the Choregic monument of Lysicrates, Athens. 13. - 16. Plan of tholos and elevations of Roman temples of this style.

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1. - 7. Fragments from columns from Delos: Bottom view, elevation, plan and section plan of columns. Elevation of Corinthian capital. 8. Bottom view of Corinthian capital from Rome. 9. - 10. Elevations of Corinthian capitals from Rome.

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The Colossus of Rhodes (reconstruction).

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Relief of angel and coat of arms of Grand Master Émery d'Amboise, from D'Amboise Gate. Ottoman inscription from the same gate (“There is no god but God, Muhammad is the messenger of God."). Relief of Virgin with infant and coat of arms of Grand Master Pierre d'Aubusson, discovered in the Jewish quarter and kept at the Franciscan monastery in Rhodes. Coat of arms of the Knights Hospitaller from the medieval town. Latin inscription «In convertendo inimicum meum retrorsum infirmabuntur et peribunt a facie tua» (Psalms 9:3 “When mine enemies are turned back, they shall fall and perish at thy presence”), referring to the siege of Rhodes by the Ottomans.

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Reconstruction of the Roman aqueduct of Rhodes at Rodini.

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Coats of arms of Philip of Burgundy, who built the fortress of Saint Nicholas, of Grand Master Piero Raimondo Zacosta (Pere Ramon Sacosta) and his engineer, from the fortress of Saint Nicholas. Relief of saint Nicholas from the same fortress. Inscription from the garden of Auvergne: “Blessed is the one who does not walk in step with the wicked or stand in the way that sinners take or sit in the company of mockers” (Psalms 1:1). Ancient statues at the entrance to the garden of Auvergne.

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Frescoes from the church of Agios Georgios Chostos in Filerimos, Rhodes. Two women saints intercede in favour of Grand Master Hélion de Villeneuve. Saint Michael kills the dragon. Cross of the Order of the Knights Hospitaller. Saint George kills the dragon.

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Frescoes from the church of Agios Georgios Chostos in Filerimos, Rhodes. Scenes from the life of Virgin Mary. Members of the Knights Hospitaller order with their patron saints.

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Frescoes from the church of Agios Georgios Chostos in Filerimos, Rhodes.Scenes from the life of the Virgin Mary. Members of the Knights Hospitaller order and children praying.

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Frescoes from the Church of Agios Georgios Chostos in Filerimos, Rhodes. The Passion of Christ. Saint John the Baptist with the Lamb. Pilgrim with his patron saint. Saint Michael kills the demon as the latter is trying to tip over the scales with the good and bad actions of a young knight who is kneeling before Saint Michael. A fountain with a snake and two pigeons, probably an allegory of “Behold, I send you forth as sheep in the midst of wolves: be ye therefore wise as serpents, and harmless as doves.” (Matthew 10:16).

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Frescoes from the Church of Agios Georgios Chostos in Filerimos, Rhodes. The Passion of Christ. Sculls in armour and coats of arms of the Knights Hospitaller. Death prevails over a knight.

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Coats of arms from the medieval town of Rhodes. The band which separates the upper from the lower frescoes in the church of Hagios Georgios Chostos in Filerimos, Rhodes. Niches from the church of Saint John in the medieval town of Rhodes, which housed the statues of the Apostles, according to the author.

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Relief from the medieval town of Rhodes. Ancient coins from Rhodes. Coins of the Knights Hospitaller era.

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Reliefs from ancient Ialyssos. Funerary steles from the area of the Roman aqueduct at Rodini, Rhodes.

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Kastellorizo: Lycian sarcophagi near Castel Rosso.

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View of ancient granary, built during the reign of the Roman Emperor Hadria, at Andriake (today Çayağzı), the port of the city of Myra (today Demre).

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Entrance to Roman baths at Myra (today Demre).

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View of the Roman theater at Myra (today Demre).

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Lycian sarcophagi at Andriake (today Çayağzı), the port of ancient Myra (today Demre).

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Lycian sarcophagi at Andriake (today Çayağzı), the port of ancient Myra (today Demre).

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Lycian sarcophagi at Myra (today Demre).

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